Frakcija, a Performing Arts Magazine, was established ten years ago by a group of dramaturgs, theatre theoreticians, critics and artists based in Zagreb. From its first issue Frakcija has been providing a theoretical and critical support for projects that were of marginal interest to the (not only Croatian) mainstream media, theatre criticism and official drama and theatre studies. Until 2000 Frakcija has published one international issue every year, in collaboration with various production units, performing arts centres and festivals.

Every Maska issue covers a specific field. Along with articles on the chosen topic, the journal also offers interviews with artists and theoreticians, reviews of performances and books, articles on the hidden phenomena of contemporary performing arts, research result, etc. Maska is published three times a year in double issues. Older issues of the Jornal are available online for free.

Aspasia is the international peer-reviewed annual of women’s and gender history of Central, Eastern, and Southeastern Europe (CESEE). It aims to transform European women’s and gender history by expanding comparative research on women and gender to all parts of Europe, creating a European history of women and gender that encompasses more than the traditional Western European perspective. Aspasia particularly emphasizes research that examines the ways in which gender intersects with other categories of social organization and advances work that explores transnational aspects of women’s and gender histories within, to, and from CESEE. The journal also provides an important outlet for the publication of articles by scholars working in CESEE itself. Its contributions cover a rich variety of topics and historical eras, as well as a wide range of methodologies and approaches to the history of women and gender.

GENERO is an interdisciplinary scientific journal that gathers scholars and researchers in social sciences, humanities, literature and art theory who excel within their respective disciplines and who are ready to reflect contemporary trends in society. The journal’s mission is to serve as a framework for an interdisciplinary dialogue between different fields of humanities and social sciences, and as a platform for richer dialogue between the region of the former Yugoslavia and international academic communities. GENERO publishes original theoretical and scientific papers from the fields of feminist theory, gender studies, women’s studies, theory of culture and cultural studies, with an emphasis on interdisciplinary and critical approach.

TkH is an independent (institutionally non-aligned, extra-academic) platform for performing theoretical-artistic activism. It is initiated and run by the editorial collective TkH whose members are theorists and artists coming from performance theory and practice, theater, cinema, and visual arts. TkH was founded a group for theoretical and artistic research at the end of 2000 in Belgrade. Since 2002 TkH platform operates as an independent organization: TkH-center for performing arts theory and practice. TkH’s activities are a theoretical praxis in the field of contemporary performing arts, implemented through textual production, self-organization, critical education and cultural policy. They are realized through several programs, including TkH Journal for performing arts theory.

Identities: Journal for Politics, Gender and Culture is an open-access, double-blind peer-reviewed international journal that seeks to serve as a platform for the theoretical production of Southeastern Europe and enable its visibility and an opening for international debate with authors from both the “intellectual centers” and the “intellectual margins” of the world. It is particularly interested in promoting theoretical investigations which see issues of politics, gender and culture as inextricably interrelated. It is open to all theoretical strands, to all schools and non-schools of thought without prioritizing cannons and their major figures of authority. It does not seek doctrinal consistency, but it seeks consistency in rigor of investigation which can combine frameworks of interpretation derived from various and sometimes opposed schools of thought. Our passion is one for topics rather than philosophical masters. Identities is published by the Institute of Social Sciences and Humanities – Skopje, North Macedonia.